Tomorrow’s leaves, fluttering in the October wind serenading my Sunday doubt chasing my valiant harmony Yesterday’s shadows, spoke to my brittle heartache growled at my brainwashed reflection crawled inside my grey river my pride is louder than my endless storms Tomorrow’s leaves, floating in my sweetest passions drifting within my crooning veins dancing in sugarcoated air Yesterday’s shadows, whispered and kissed me goodbye disappeared within my iron dignity disintegrated within my thunder my pride is louder than my endless storms
The poet’s tears do not rush. They gather slowly, like words circling a thought they are afraid to land on. They rise from the chest, where memory keeps its quiet archives, and they taste of all the moments that were almost spoken but never survived the air. Each tear carries a small history, a sentence unfinished, a love that learned to live in silence.
When they fall, they are not asking for mercy. They are translating feeling into something the body can release. Salt becomes language. The face becomes a page. The tear traces a line the poet could not yet write, slipping past grammar, past reason, past pride. It is a confession without audience, a prayer whispered to no one in particular.
Some tears are born from wonder—how beauty persists even after being wounded, how light still finds broken places and calls them holy. Others come heavy with grief, thick with nights that stretched too long and mornings that arrived empty-handed. These tears do not shout; they endure. They know the shape of loss and the patience of waiting.
The poet wipes their face and pretends the moment has passed, but it never does. The tears dry and move inward, settling between metaphors, breathing beneath the pauses, softening the sharp edges of truth. They become the weight behind every line, the ache that makes language honest.
For the poet’s tears are not an ending. They are the origin. They are the quiet proof that something mattered enough to break open, that the heart dared to feel deeply in a world that teaches restraint. And long after the eyes are dry, the tears remain—alive in the prose, asking the reader to feel them too.
I write poetry the way some people light candles in a dark room—not to banish the darkness, but to learn its shapes, to watch how it bends around the flame and softens its edges. There are things inside me that refuse the straight lines of sentences. They coil and wander like rivers that know where they are going but refuse to hurry. Poetry gives them room to meander, to flood, to leave their mark.
Silence has always spoken to me in color. It arrives as indigo pauses, amber echoes, bruised violets of unsaid things. I feel it humming in my ribs, tapping gently on the chest, asking to be translated. When I write, I am not inventing feeling—I am uncovering it, brushing dust from what was already breathing beneath the surface. Words become a prism, splitting a single ache into a spectrum of meaning, each shade telling its own quiet truth.
I write to bleed without injury, to confess without a courtroom, to lay my heart on the page without asking it to behave. On the page, pain becomes ink instead of weight, beauty becomes honest instead of ornamental. Every line is an act of alchemy—grief turned gold, longing turned light, memory given a second heartbeat. The past loosens its grip when it is named, when it is allowed to sing instead of haunt.
Poetry is the one place I am not asked to explain my depth, to simplify my storms, or to quiet my wonder. It allows me to be both blade and bloom, thunder and prayer. In its margins, I am free to be unfinished, contradictory, human. I can stand barefoot in my own contradictions and call it truth.
I write because time erases so much, and poetry resists erasure. It bottles moments like fireflies, small and glowing, refusing to disappear. It teaches me to listen—to the ache beneath laughter, to the hope hidden in exhaustion, to the sacredness tucked inside ordinary hours. Writing becomes a ritual, a way of kneeling before life as it is, not as I wish it to be.
Growth is powerful. Often times you can’t see how much you have grown until you look back at who you were or what you have decided to let go. I have been writing for decades and have kept it a secret. Why? The reasons why I write are endless. It’s therapeutic, mentally stimulating, challenging, a place where I can voice my opinions, and today I believe others can find others or themselves in my poetry. It can be a place of self discovery and reflection.
Generally speaking, the perspective of a poet by society is someone who is broken, emotionally sensitive, and their voice is better articulated through words on paper than being spoken. To clarify this, written words are better used to express themselves emotionally. I can relate to this part. I am an emotional person and often times I cry because I have no words at times. Today I write with more of bigger purpose. I want to show the world that you people are not broken, they are just misunderstood. They are not surrounded by the right people.
At the end of my first marriage, I took it upon myself to attend therapy. I knew there were some things about me I needed to fix. I am a work in progress, in fact we all are a work in progress and under construction. Two of the things in my marriage that I needed to work on was speaking up for myself and taking control of certain aspects of my life. I was married to a woman who was overbearing, domineering and controlling. She was also an alcoholic. On my end, I wasn’t mature enough to walk away and sought out attention in the wrong way ways. I hid my writing at this time. Therapy gave me guidance and direction.
One of the things that I learned in therapy is that my growth was limited due to my surroundings. My father is quite judgmental and critical. Once I remarried and moved away, my confidence in myself flourished. I saw that I needed to move away. I will never tell my father that because I know that would hurt his feelings. I appreciate all that he is given me and the love that he knows how to give. He doesn’t just seem to care how to present sensitive topics, and how you present them often times is more important than what you say. As I get older, I’m trying to be aware of how I present subjects as well. There is a time to be straight forward, direct and there is a time to communicate with compassion.
In the end, I have grown to try to see the world and life through others eyes. I am not dead set on being right and if I am wrong, I will own up to it. I write poetry from the clouds with eagle eyes and try to embrace humanity. I see humanity without labels. There is a long list of individuals who want the world to change and I stand in a small line where I want to change the world. Everything is perspective and perspective is everything.
Forget me not, my sweet fears I found untouchable verses within my discomfort I found veracity within the crevices of the dark I found my reflection staring into my tattoo of courage I found emptiness deeper than this bottle
And my tears dry up and it’s time to stand up And my anxiety carries a heart beat And my passion bleeds forever more And my endless ink soars like a blackbird
“Take my hand, I can no longer do this alone. I can admit, I can no longer do this on my own”
Forget me not, my sweet fears I found my imagination spinning out of control I found my recklessness ripping me at the seams I found my identity buried in a grave with a bouquet of havoc on top I found my revelations reading scripture
And my tears dry up and it’s time to stand up And my anxiety carries a heart beat And my passion bleeds forever more And my endless ink soars like a blackbird
“Take my hand, I can no longer keep hurting myself, I can admit, something inside needs some help”
I’ve been walking through an electric calm with a crucifix woven into my chest. I can barely breathe but can feel tranquility gripping to my veins. I can exhale all my errors while my shadows can caress my fears. I’m gasping for my curse to vanish. I’m suffering with a small taste of compassion.
I can hear the angels crooning in my equilibrium. “I’m done am crawling, falling, and stalling because I’m ready to run. I have a light that’s more brilliant than the sun. I am done trying, dying, and crying from the destruction of my past. I am a born again miracle, white glaring spherical, with clarity sparkling in my photographs.”
I’ve been stumbling through an electric calm with vibrations whispering on my tongue. I can barely speak but feel drops of grief sliding down my throat. I can inhale all the suffering while my spine carries my turmoil. I’m letting go of the affliction. I’m dreaming for you to forgive me.
I can hear the monsters growling in my blizzard of indecisions. “I’m digging you a grave, your hesitancy and damnation will become your slaves. I’m the chain on your lilac bones, watching your heart turn into stone. I will watch you choke and convulse with a grin, I will be your unblemished sin. You will continue to swallow your glass of emptiness and feel reckless.”
Between shadows and memory, one woman’s diary elucidates relationships come and gone, those who helped shape who she is from the inside out. Turning the rain into something beautiful, the opening petals of a rose now blooming.
Veteran poet Braeden Michaels crafts his seventh collection of poetry into a mold of vision. Like pages from a twisted fairy tale, he narrates using his unique poetic style and perspective, first dissecting emotion before reconstructing and reimagining each one.
“Michaels doesn’t fail to deliver in The Raven’s Poison. From start to finish I was taking around the horn on an emotional rollercoaster and was left in awe of his words. Can’t wait to get the next book!”
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“Braeden knows how to tap into the human emotion and the sometimes dark nature of our innate characteristics. This is a book that is sure to grab you by the throat from the very first piece until the very last. You will be gasping and grasping for more until the very end.”
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“I haven’t read a poetry book so full of great poetry in years. Everyone should pick this collection up.”
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“I highly recommend this well written book. His writing is full of great imagery and it draws you in leaving you mesmerized.”
Like porcelain skin wrapped in gauze Birthday tattoo displayed on her wrist Daydreams slip out on from her weeping lips Shadows blister, the monologue drowns Clasping on to “I Know Why the Caged Bird Sings” in her pliable hand
And the lions on the wallpaper say her name in a chant And the ceiling is her midnight and decorated sky And the hallway reeks of discretion and tongue tied riddles And the ink she pours out never runs dry
Give me an invincible fire to stand within the pain Give me the light to crawl in the dusk
An ounce of slump and stagnation whisper Melancholy hanging over her head like a rain cloud Glaring into a closet of aberrations Atmosphere trembles, the letters trickle sanguine Twitching in the discolored oblivion
And the memories flood on to the pillow from her eyes And the moonlight that shines through her window growls And the conversations are still heard in these four walls And the ink she pours out never runs dry
Give me an invincible fire to stand within the pain Give me the light to crawl in the dusk
I’m scrawling, swept away from the discord, pleading to the amber crescent, hanging in the audacious sky, gazing at the mindless clones, no dismay of what will become, aggravation turns into stone, eyelashes curve into dust, puddles of demise, a graphite cyclone revolving around the fall, a population relinquishing to the avalanche, I scowl to the prognosis, hindsight is rubble, my conjecture is not a conspiracy, veracity is underneath the facade, I refuse to swallow the debris, I trash the publications, I displace the buzzards, I ignore the indoctrination, I carry my drum, I am the feather that flies with placid eyes, I don’t place stamps on foreheads
To the awaken moon, I give you a letter of a thousand reasons To the awaken moon, I am fond of your glow To the awaken moon, I send you a letter to pass on to the unconscious sun
To the helpless sun, the indifference is a path to nevermore, but show us your sparkle, we pine for your radiance, numbness is not your color, your rays are in mourning, the lechery is within the choice, the preference to wear blinders, floundering into traps, shuffling excuses, pardon the shallow, explanation with holes, to the sun you are not accountable
I’m scrawling, furiously with an ambiguous message, forgive the gratuitous cyborgs, deception and the distortion was carved, the falsehood was chiseled, sculpted by self centered dastards, mercenaries injecting conflict with psychological warfare, no intersections, a blue print of disjuncture, a frazzled atmosphere, frayed and stripped, scoundrels running ramped, policies dipped into indulgence, documents soaked in disarray, I lean into the incoherent ramblings, methodical studies forged, verbatim tampered with spots of evasion, defamation spreading like a sickness, I refuse to consume the prozac, paragraphs bellow with a enriched voice
To the awaken moon, I give you a letter of a thousand reasons To the awaken moon, I am fond of your glow To the awaken moon, I send you a letter to pass on to the unconscious sun
To the forlorn and damaged sun, please shimmer where there is darkness, let the gleam fill in the crevices, please shine where pieces are lost, let the air rejoice in your magic, please be the aspiration to the cosmos, you are the enlightened preservation, you are the marvelous treasure, without you there is no growth, to the sun – you are not accused for the increased vibrations of the earth
I can foreshadow a society crumbling from applied science, twisting theories contorted plasma, and friction analysis thesis based on wealth and leaking myths Pillars from a system situated in sand a sinking infrastructure, vanishing unity colorless pupils plagued with a manuscript spineless leaders, particles of blunders piling up, giant omissions paralyzing the fabric, Programmed illnesses with a pinch of annihilation, nations weeping counterfeit drops of sadness, gradually seeking contemporary alliances, executive orders bleeding extermination, outlined syndromes with a hint of illusions, corruption in the palms of the establishment, enigmatic statistics catapulted in a ocean of the deceased
And the nerves of the vicious are numb mankind’s existence dwells in an experiment And I can’t feel the rays of the crying sun
I saw a glimpse of paradise, toddlers playing with brilliance, wonder, and a light breeze serenading through the air as a teenager drinking water from fire hydrants, in front of provincial chateaus, clarity and modesty was a thread, surrounded by a crooning sky of beliefs and faith, conviction is just an antique sitting in a clammy basement, wrapped up in newspaper with headlines of World War Two, buried in a crate labeled “Precious and few”, where dreams shifted, echoed, and the revolution within was smoldering, freedom was sung by entrepreneurs, capitalists, and poetry was a blue jay flying from tree to tree, love was a drink we all consumed and sipped all through the decorated nights, yet today the clowns wear painted tears and smiles are weary
And the nerves of the vicious are numb mankind’s existence dwells in an experiment And I can’t feel the rays of the crying sun
I am madly in love with the metaphors from Walt Whitman, sweetness waltzing through Dickinson’s verses, where landscapes feel the sunlight, rain drizzling on white picket fences, I fell for the similes that left glitter on my fingertips, ballads that reverberate within the words, stanzas that capture charm, but in the present I read a direct message, thoughts thrown on paper within seconds, impressions not thought provoking, automation becomes a crutch, loneliness seeking attention, reality drifting like a hitchhiker, dwindling patience, crime rising like flames in death-wish fields, scarecrows parading cracked pavement, insanity yells, neon lights flicker every three minutes, like an apocalypse, but keep your view on the illuminating screen, sarcasm spasms, bellies filled with microwaved meals
And the nerves of the vicious are numb mankind’s existence dwells in an experiment And I can’t feel the rays of the crying sun
I’ve browsed countless articles of chemicals being dumped in soil, animated creeks, flowing rivers, deep cobalt seas, and wide oceans sweep it under the Persian rug, deposit the funds, retract it, close the column, turn off the comments, ignore the facts, don’t read it, let your fog disregard the bedrock of our country, Freedom is the eagle on our printed currency “In God We Trust” wasn’t coined by non- believers, deceivers, and tinted lawmakers In a heap of literature, liberty isn’t just a statue, a symbolism of integrity, war and peace, mother of monuments, breathtaking torch, Goddess of our Declaration of Independence, classic signature standing in Manhattan, New York, she is the sanctuary of our nation, yesterday can’t be expelled, removed or deleted, Can I erase your self-righteous past?
And the nerves of the vicious are numb mankind’s existence dwells in an experiment And I can’t feel the rays of the crying sun
I’ve seen grownups stomp their feet, throw child like tantrums over slim debates with cursed words thrown like daggers I’ve seen electronic devices used to record heinous crimes, satirical protests, and mind bending disturbances across the globe videographers portraying innocence, displaying evidence, defending irresponsibility I’ve seen switchblades pulled out over loose change and collected indifferences I’ve seen incompetency to be irrelevant, tenure a driving force, dynasties collapsing I’ve seen bewilderment shine brighter than quickness and keen observations I’ve seen enlightenment and murky insight wither in closets at a candlelit masquerade
And the nerves of the vicious are numb mankind’s existence dwells in an experiment And I can’t feel the rays of the crying sun
I’ve seen cemetery’s of soldiers that gave you rights, freedom, and opportunities I’ve seen flags placed over coffins, brothers in arms subbing, veterans in wheelchairs, struggling to tell a tale, medals of honor with insomnia, abolished slavery, rise of women’s rights, PTSD worn on every soldiers sleeve, But keep your eyelids on the screens, watch “Grand Opening” signs become obsolete, do what you do best, do nothing, stand for nothing, mankind defusing, watch the word “Entitled” become sewn on our flag, replacing the fifty gold stars, watch Betsy Ross cringe, stare into the tears of the sun, feel the winter for decades ahead, watch the selfish gloat, glare at the chill, embrace the still of the frost,
And the nerves of the vicious are numb mankind’s existence dwells in an experiment And I can’t feel the rays of the crying sun
I’ve been chasing a sky of blurry lines I’ve been chasing constellations with my eyes closed I’ve been chasing misplaced trust with heartfelt lies I’ve been chasing danger with silent explosives I’ve been chasing peace with a vicious expression I’ve been chasing filled pages in an empty book
If these decorated walls could shout crumbled words would cut my open arms If these rooms could plead guilty my disease would cry indifference And my inflicted patterns dwell on Silence Boulevard
On my knees with my hands clenched together Reciting scripture and broken prayers Begging “Take my pain away, tired of all the shadows of yesterday”
I’ve been chasing delusions with a vacant jar of pills I’ve been chasing wisdom with limited experiences I’ve been chasing a river of echoes with a pierced eardrum I’ve been chasing a fantasy with numb fingertips I’ve been chasing daylight on a dim path
If these decorated walls could shout crumbled words would cut my open arms If these rooms could plead guilty my disease would cry indifference And my inflicted patterns dwell on Silence Boulevard
On my knees with my hands clenched together Reciting scripture and broken prayers Begging “Take my pain away, tired of all the shadows of yesterday”
I’ve been chasing riddles with a cracked compass I’ve been chasing affection with a crippled identity I’ve been chasing sentiments with a star dripping resentment I’ve been chasing sweetness with a bitter tongue I’ve been chasing suspicion with an arrow in my hand I’ve been chasing time with drops of heartache
If these decorated walls could shout crumbled words would cut my open arms If these rooms could plead guilty my disease would cry indifference And my inflicted patterns dwell on Silence Boulevard
On my knees with my hands clenched together Reciting scripture and broken prayers Begging “Take my pain away, tired of all the shadows of yesterday”