I’ve stolen a bottle of valium and borrowed the razors edge from my awakening nightmare. I’ve stolen kisses from the fox in the evergreens and borrowed someone else’s heart. I’ve stolen credit cards with a different name and borrowed carelessness from the devil himself. I’ve stolen the answers from a book I’ve never read and borrowed peace from a saint. I’m just exhausted from being me.
When I’m me, people walk away. No one cares what I say. I couldn’t pay someone to listen and my emptiness knows what I am missing. I continue to sit here in the bone chilling dark, with the outline of a pitch black heart. When I’m me, I can’t see.
I’ve stolen a sparkling personality from an angel I desired and borrowed humor from a treasured jester. I’ve stolen money from my tight fisted friends and borrowed character from rambling strangers. I’ve stolen beauty from the broken and borrowed ugliness from the exclusive. I’ve stolen the truth from a lawmaker and borrowed lies from the divine. I’m just exhausted of being me.
When I’m me, people laugh in my face. It’s clear that everyone can take my place. I couldn’t pay someone to wipe away my tears as I am drowning in my fears. I continue to sit here in my ocean of loneliness, with every aspect of my existence is a mess.
Once upon a broken heat I learned that loneliness does not arrive loudly. It does not knock or announce itself with ceremony. It seeps in, quiet as dusk, and takes a seat beside you as if it has always belonged there. I remember thinking that friends would come naturally, like breathing, like weather, like something no one ever had to explain. I did not know then that connection was a language I would struggle to speak, that depth would be my native tongue while most people preferred simple phrases and quick exits.
I tried to make friends the way everyone else seemed to. I smiled at the right moments. I laughed when laughter was expected. I learned how to talk about nothing at all for long stretches of time, though every word felt like gravel in my mouth. I wanted to ask the questions that mattered. I wanted to talk about grief and meaning and the way memories can bruise you without warning. Instead, I learned that too much honesty empties rooms. People like the idea of depth until they feel the pressure of it pulling at their lungs.
Some friendships began brightly, full of promise, like candles lit in dark rooms. We shared music, secrets, fragments of ourselves we did not show the rest of the world. I believed that meant permanence. I believed that once someone saw you clearly, they would not leave. I was wrong more times than I can count. People drifted. People changed. People decided my sadness was too heavy to carry, my silence too loud to ignore. They left without cruelty most of the time, which somehow hurt more. There is nothing to fight against when someone simply fades.
I mourned those friendships in private. There are no rituals for the loss of the living. No headstones for people who stop calling. No ceremonies for being replaced quietly. I replayed conversations late at night, searching for the moment where I became too much or not enough. I wondered if depth was a flaw, if craving meaning was something that needed to be cured. I tried to make myself smaller. I tried to speak less, feel less, need less. It never worked for long.
Then came the deaths. Real ones. The kind that do not return your messages because they can no longer hear them. Names that once filled rooms reduced to photographs and past tense. I watched people I loved disappear into the earth and into memory, and something in me hardened and hollowed at the same time. Grief rearranged the furniture of my mind. Every loss taught me how temporary everything is, how fragile every connection becomes once you understand it can vanish without warning.
After the funerals, the world expected me to continue as if something fundamental had not been removed. Conversations returned to normal. Laughter resumed. But I carried ghosts with me everywhere. I heard the dead in quiet moments, felt them in the spaces between sentences. Their absence became another companion, one that never asked me to explain myself.
It was then that the blank page became my closest friend. It waited for me every night, unmarked and unafraid. It did not judge the darkness of my thoughts or ask me to soften them. I could tell it everything. I could confess the resentment, the envy, the exhaustion of trying to belong. The page absorbed my words and held them without recoil. Ink became proof that I existed, that my inner world had weight and shape.
I began to understand that writing was not a hobby but a form of survival. When people left, the page stayed. When voices went silent forever, the page listened. I poured my losses into sentences and watched them transform into something almost bearable. Metaphor became a bridge between my pain and the possibility of being understood. Symbolism allowed me to say what I could never speak aloud.
I crave depth because shallow water has never taught me how to swim. I crave conversations that leave marks, that change you slightly after they end. I want connection that acknowledges suffering instead of avoiding it. I want friendships that understand silence as language, grief as history, and sadness as evidence of having loved deeply. This craving has cost me people. It has also saved me from living half awake.
The solitude did not leave, but it changed. It became quieter, less cruel. I learned to sit with it, to let it speak. In the absence of others, I became a witness to myself. I documented my own survival in paragraphs and fragments. I learned that being alone does not always mean being empty. Sometimes it means being full of things no one has asked you to share yet.
I still lose people. I still grieve. The blank page is still my truest companion. But within this solitude, I have found a strange, aching honesty. I write to remember the dead, to honor the friendships that could not stay, to speak the truths that make others uncomfortable. I write because depth demands expression, and silence would kill me faster than loneliness ever could.
Once upon a midnight fear, you will not see the echoes of my tears, because they learned to walk softly, barefoot through the house of my chest, passing clocks that cough and calendars that bruise. This is how the story begins: the way sleep explains itself to the sea, with a hush mistaken for mercy. There was a town once, built entirely of punctuation, comma streets and ellipsis alleys, where laughter leaned like tired lampposts and rumors kept bees. I lived there briefly, renting a window, watching the moon practice apologies in the tin mirrors of rooftops. Satire was the local weather, a persistent drizzle that made even statues blink and reconsider themselves.
One evening the ground cleared its throat. Dogs began writing letters to the dark. Teacups clinked like nervous teeth. The earth—an old poet with arthritis—shifted a word and cracked the sentence. We called it an earthquake, because we are afraid of naming confessions honestly. I was carrying a pocket of stars then, contraband hope wrapped in a receipt, when the tremor bowed politely, like a waiter, and asked my name. I gave it a nickname instead, because truth grows shy in public, and the nickname tasted of copper and rain.
Stories fell from shelves, their spines sighing as they hit the floor. A map unlearned its borders. My shadow slipped on a metaphor and laughed, which felt briefly illegal. In the dust I found a childhood still warm, still breathing, counting marbles like prayers. Satirical saints wagged their halos and said this was character development, selling postcards of ruin with inspirational fonts, while a sparrow stitched the air, threading silence through rubble until the silence held.
I followed a crack in the street the way one follows a river that already knows your future. It led to a theater with no roof, where clouds rehearsed tragedies and understudies called thunder. The stage manager was a patient ant keeping notes with crumbs. There, a woman named Gravity sang lullabies in a minor key, braiding ankles to floors and memories to doors. She sang of falling as pilgrimage, of bruises as stamps in a passport, and I stamped willingly. Dreams queued politely nearby, holding numbers, waiting to explain themselves. One wore my father’s coat and smelled of winter and oranges, and told me to forgive the ground for wanting to move on.
The quake softened, a loosening hand. Buildings exhaled. A piano found its missing leg and forgave the floor. We swept metaphors into piles labeled Later, Maybe, Never, and pretended this was normal. At dawn the sky brought coffee; steam rose like a forgiven rumor. I wrote apologies to the cracks and they wrote back, unsigned, saying they only wanted to be heard. I pressed my ear to the street and listened to the earth practice empathy.
I left town with a suitcase of aftershocks, each one a small bell. On the road, satire waved from ditches holding signs that promised detours to meaning. I laughed, then slowed, then listened. Time limped afterward, hands bandaged with patience, agreeing to walk slower for the wounded. Neighbors traded sugar for stories and salt for names we forgot to say. Mirrors learned manners, tilting their faces to flatter survival. A philosopher in the square juggled apples and dropped questions on purpose, saying certainty bruises easily and doubt is a feather mattress. Children chalked hopscotch across fault lines, jumping from Before to After, their laughter forming a bridge no engineer approved.
Bread rose despite instructions. Yeast preached resurrection to ovens. We ate metaphors warm, buttered with relief, crumbs mapping constellations on our shirts. Someone toasted absence and clinked a glass, and the glass forgave gravity again. I mailed a letter to the future without an address, only a mood. The stamp was a leaf. The postmark read, Whenever you’re ready. The future replied with a dream wrapped in newspaper, smelling of ink, the headline screaming that I survived myself.
Night rehearsed gently then, a lullaby with commas for stars. The moon stopped apologizing and listened. I slept with my shoes by the bed, in case the earth asked me to dance. Now the town is quieter. Punctuation has grown gardens. Ellipses bloom like pauses. Cracks are filled with gold because we learned a trick from old bowls: breakage can be an instruction manual. I keep the bells from my suitcase and ring them when words grow stubborn. They remind me that movement is a language, that fear read slowly is only a letter begging for context. So I write softly, and the ground answers softer still, and if the page trembles I breathe ink, count heartbeats, trust margins and footsteps, trusting that even endings are temporary shelters humming quietly while we learn balance beneath forgiving skies.
I write poetry the way some people light candles in a dark room—not to banish the darkness, but to learn its shapes, to watch how it bends around the flame and softens its edges. There are things inside me that refuse the straight lines of sentences. They coil and wander like rivers that know where they are going but refuse to hurry. Poetry gives them room to meander, to flood, to leave their mark.
Silence has always spoken to me in color. It arrives as indigo pauses, amber echoes, bruised violets of unsaid things. I feel it humming in my ribs, tapping gently on the chest, asking to be translated. When I write, I am not inventing feeling—I am uncovering it, brushing dust from what was already breathing beneath the surface. Words become a prism, splitting a single ache into a spectrum of meaning, each shade telling its own quiet truth.
I write to bleed without injury, to confess without a courtroom, to lay my heart on the page without asking it to behave. On the page, pain becomes ink instead of weight, beauty becomes honest instead of ornamental. Every line is an act of alchemy—grief turned gold, longing turned light, memory given a second heartbeat. The past loosens its grip when it is named, when it is allowed to sing instead of haunt.
Poetry is the one place I am not asked to explain my depth, to simplify my storms, or to quiet my wonder. It allows me to be both blade and bloom, thunder and prayer. In its margins, I am free to be unfinished, contradictory, human. I can stand barefoot in my own contradictions and call it truth.
I write because time erases so much, and poetry resists erasure. It bottles moments like fireflies, small and glowing, refusing to disappear. It teaches me to listen—to the ache beneath laughter, to the hope hidden in exhaustion, to the sacredness tucked inside ordinary hours. Writing becomes a ritual, a way of kneeling before life as it is, not as I wish it to be.
At the Jackknife Tavern sits a man, drinking his loss of love away. Beside him come and go a myriad of faces, men and women with lives sometimes down and out, perhaps sad, at times inspirational, always human. These are friends and neighbors, acquaintances, coworkers… Each with their own story to tell. The poet remains on his barstool, taking notes and creating art from life. Award-winning author and poet Braeden Michaels treats us to his eighth collection of prose poetry.
Every time I look up, I see you. The sky becomes your mirror, an infinite canvas painted in your likeness. The dawn blushes like your skin when the sun first kisses it, tender and slow, like the universe remembering how to love. Your beauty stretches beyond the horizon, endless, breathing, alive. The clouds drift like your thoughts, soft, mysterious, always moving, always reshaping the light that falls through them.
You are the sky when she’s calm, when the world seems held together by a quiet sigh. You are the whisper of blue between my ribs, the soft ache of wanting something too vast to hold. I find myself tracing the air the way I long to trace your spine, carefully, reverently, afraid I’ll break the silence that makes you divine.
When night falls, your beauty deepens. The stars scatter like the goosebumps on your skin when I whisper your name, and the moon turns to silver just to resemble your glow. You are the night I want to get lost in—velvet, sensual, infinite. Every flicker of starlight feels like your breath, every shadow a secret curve waiting for me to explore.
There’s something about the way the sky changes that reminds me of you. The way a storm builds—slow, electric, dangerous, beautiful. The way lightning cracks open the dark like the truth of your eyes breaking through my guarded heart. I want to stand in your storm and let it drench me, let your passion soak through every defense I’ve built. You are not gentle wind—you are the wild pulse of thunder that makes me feel alive.
Sometimes, I imagine lying beneath you, beneath your sky-body, tracing constellations across your skin with my fingertips, naming each one after the moments you’ve left me breathless. I’d call one Eclipse, for the way you darken everything else when you enter the room. Another Aurora, for the light that dances in your eyes when you laugh.
If beauty were weather, you would be every season. The sun-warmed blue of spring, the blazing fire of summer’s dusk, the melancholy gray of autumn rain, and the crystal silence of winter’s night. You move through me like the wind, unseen but unforgettable.
My love, when I say you are beautiful, I do not mean it in the small way people use the word. I mean you are the breath between worlds, the endless horizon my soul leans toward. You are the dawn I wake to and the twilight that undresses the day. You are the sky itself—ever-changing, eternal, untouchable, yet somehow, miraculously, mine for a moment.
If I could, I’d bottle every sunrise just to pour it across your skin. I’d steal every star to hang in your hair. But even the universe isn’t enough to frame you.
There are nights when language collapses under the weight of you. When every word I try to write turns into a trembling pulse, and the ink itself seems to breathe your name. I sit beneath the faint hum of the lamp, thinking of your mouth, your scent, the curve of your breath when it brushes against the idea of me. You are not merely a person anymore—you are an atmosphere I enter, willingly lost, deliriously drowning.
I desire you in ways that silence cannot disguise. You move through me like a fever I’ve stopped trying to cure. Every thought becomes your echo, every moment your shadow. I dream of you in pieces—the way your neck bends when you laugh, the way your lips seem to hold secrets that would burn if spoken aloud. I imagine tracing those secrets with my tongue, word by word, until truth and pleasure are indistinguishable.
Sometimes I think of you in the quietest parts of the day, where restraint pretends to live. But even then, I am undone. The thought of your fingers—how they might travel across my skin, searching, knowing—turns the air into fire. I would let you burn me down to ash if it meant being reborn inside your breath. I would trade a thousand calm lifetimes for one storm with you.
You haunt my imagination like a beautiful sin. Every fantasy begins with you walking through the threshold of my mind, uninvited yet expected, your presence an electric omen. I want the collision, the chaos, the unholy tenderness of our undoing. I want to forget where I end and you begin—to dissolve into the rhythm of your wanting until the world itself forgets to spin.
You are the poem I cannot stop writing, the one that ruins all other verses. I crave the weight of your gaze, the gravity of your silence when it settles on me. I love you in the way a starving thing loves its first taste of rain—wild, unmeasured, desperate to consume. There is something sacred in this madness, something pure in how unholy it feels.
When I close my eyes, I see us—not in perfection, but in ache. Your body against mine, not as conquest but as confession. Every sigh a psalm, every movement a prayer against loneliness. I want to memorize you in touch, to know your skin the way the night knows secrets: intimately, endlessly, without light.
Do you feel it too, that invisible tether pulling, tightening? It’s as though the universe stitched our hunger together and dared us to survive it. My love, I don’t want to survive it. I want to live inside it, to build a home in the wild pulse between your heart and mine.
If I could, I’d press this letter to your chest and let it melt there, word by word, until it became heat. Until all that remained was the truth beneath all language: that I desire you beyond thought, beyond restraint, beyond the limits of the human tongue.
11:32am, situated on the corner of James Madison Boulevard and Whitman Street. I am sipping emptiness on the rocks in the scowling part of town, Jackknife Tavern. I’m sulking in the chestnut colored booth throwing darts at the bombastic God I use to love. I continue to taste the kisses of my skeptical past and shake hands with the skeleton of my future. I raise my clenched fist, “Hey brother, can you pour me another? If it’s not any trouble, make it a double.”
A Marylin Chambers look a like tapped me on the shoulders with an indecent proposal. I shook my head with a chuckle and a sleazy grin. “This isn’t a joke, I can only pay by the minutes or the number of strokes.” She disappeared like a magician with the smell of her perfume turning into an aphrodisiac. I swallow loneliness like an amber ale. Isolation is my best friend without a voice. I tend to make a midnight rendezvous with yours truly but my left hand shouts “I’m quite over zealous” and the right hand whimpers “I’m quite jealous.” I only tend to acquire sparks with jumper cables.
Between noontide and the teardrops of the moon, the carnival weaved in and out of the cavern. The hooligans are tap dancing next to the jukebox, the husbands are window shopping, the cut throat whistle stoppers are juggling negotiations and plastic speeches. The jamboree was full of exaggeration, plagiarism, copycats, and satan’s storytellers. I could hear them drinking the tears more than the alcohol.
2:35pm, the regulars and bystanders strolled in with folktales dripping grief. Cigarette smoke reeked of melancholy and satire. The ambiance was filled with extravagant bar tabs, sobbing cliffhangers, romantic comedies with the mourning saxophone playing in your left ear. If you listen close, the excuses and irritation can be heard in your right ear. A pint of desolation will taste sweet and a shot of despair will run down your throat faster than a horse at the Kentucky derby. It’s a relief and a head scratcher that we call it happy hour.
5:45pm, the eyes are dry and my stomach grumbled. The gin mill is as empty as my crooning soul. I can never make out the lyrics but I get goosebumps when I hear the sorrowful piano. Harper Guthrie struts in with his graveyard black t-shirt with the phrase “You can get this body for $19.95 for one hour, but if you act now I will make you as happy as a sunflower” printed on the front. Harper is jammed with acidic antidotes but will sell you antidepressants, antibiotics, and antisemitism.He talks with his wandering hands and pleads innocent until proven guilty. He will boast about his latest purchases, meaningless job title, and the abundant cash flow problem. He serenades to the audience that he drinks to happiness. Unfortunately, he’s been charged with terrible humor and convicted of lying to himself.
7:15pm, Jackson Bryant fumbles in with his auburn acoustic guitar. He glances at the minimal crowd from the undersized stage and begins to strum. Out comes a raspy but yet a smooth sound “You can find me in the dark trying to grip the wind, you can find me feeling lost not knowing where to begin, you can shout from the depths of your lungs, you can point your fingers at me and forget the person you’ve become.” Heads turn and faces become pale as if they seen a reflection of themselves. The song ends with the spectators clapping their hands rapidly and shouting out his name. He continued to play his set as the crowd was quite allured by his presence.
As the night begin to fade, the exchange had less of a bounce. Solitude was a fog prancing in front of our bloodshot pupils. I wrote “Goodbye, Goodnight” on a vanilla napkin and handed it to the gargoyle next to me. It was time for me to face the chorus in a song I didn’t want to play. Thirty five years ago on this melodic day, I married a ballerina that is still spinning on her tip toes of my crippled heart. The King of kings took my queen away. She was plagued with a disease that had no cure. I’m done praying to a God that doesn’t listen. All I know how to do is to fill up my glass with destitution to try to take away the overwhelming misery.
I’ve been in love with the nectar and the sour drippings of you I’ve been captured by the glaze of your caress I’ve been in awe by the comfort and the shivers of your embrace I’ve been enamored by the never ending kisses and the affection I’ve been mesmerized by the sparkle dancing in your midnight eyes
And the love with you is breathtaking And the love with you is indescribable And the love with you is remarkable And the love with you has opened me up
After so many years I wouldn’t have changed a second
I’ve been in love with the honey and the radiant treasures of you I’ve been enchanted by your words and glamorous skin I’ve been aching for the centerpiece to wake me up and feel alive I’ve been daydreaming of an endless love I’ve been intoxicated by the shimmering light twinkling in your soul
And the love with you is breathtaking And the love with you is indescribable And the love with you is remarkable And the love with you has opened me up
After so many years I wouldn’t have changed a minute
you could be the lyric that I never wrote you could be the nectar fawning on my tongue you could be the feather against my cheek you could be the warmth on my lost face you could be the song that repeats in my mind
And in the morning chill, I can taste the harmony off your skin And in the brisk moonlight, I can hear your symphony burn from your lips
you could be the melody that awakens me you could be the lily I see in my holy dreams you could be the breeze I never forget you could be the fear that I have forgotten you could be the song that repeats in my mind
And in the morning chill, I can feel your poetry in the chorus of my weary soul And in the brisk moonlight, I can recognize your violins in the orchestra
you could be the instrument that sparkles you could be the goodbye that is never uttered you could be the unspoken and endless limerick you could be the sorrow that turns into halcyon you could be the song that repeats in my mind
And in the morning chill, I can watch you play the acoustic guitar whispering your poetry And in the brisk moonlight, I can see pieces of myself you savor in your tragic song
To me, music and poetry go hand in hand. I have a playlist that I consistently update weekly. I really enjoy finding musicians or artists that are hidden gems. I tend to add music that is gut wrenching, heartfelt, and voices that stir the soul. I will play the song multiple times to embrace the music and lyrics separately before adding to ensure it fits the playlist. I call this playlist “Breathe in, Breathe Out.”
This playlist is cleansing and makes me think of so many things. This kind of music makes me reflect, reminisce, cry at times, and inspires my writing. I call this playlist “Breathe in, Breathe Out” because it brings clarity to the essence of life when I hear it. The music just makes me think about what is important and what isn’t.
My son consistently listens to it as well and it’s priceless to hear him singing the words to any song. I love hearing him sing. He sings so passionately and with joy. It’s a blessing to watch how music impacts him.
I’m not craving attention but your lightening connection. I’m not craving lust but the magic in our distance. I desire the conversation that is entwined and pure. I’m not craving anything hollow but the hunger within your desire. I’m not craving a fixation but the beauty of your gust.
I love how you make me feel, the ecstasy burning is real. I love how the flames surrounding never seem to get low, your brilliance always has an extraordinary glow.
I’m not craving the physicality but your alluring intelligence. I’m not craving your nails but your provocative touch. I desire the thirst and the hurricane between our fire. I’m not craving your luscious skin but the magnetic pull between us.
I love how you make me feel, the magnificent sensation is real. I love how the blaze within continues to rise, your affection was always smoldering in your burgundy eyes.
I pause to deliver my twenty two bold face lies with a smirk. I pause to hand over my ten percent truth. I pause to reveal my entire identity. I pause with doubt and confidence dancing hand in hand. I pause with disgust and trepidation swelling. I pause with deceit and manipulation twitching in my indistinct eyes.
I am a certified playboy with a bronze grin. I am a storyteller with an agenda as long as a manuscript. I am the best seller with sparkled charm. I have a gift of being selfish without you knowing. I am smooth as silk and hide behind my misery.
I pause with friction and distortion entwined within the gospel. I pause with morals placed in my back pockets. I pause with principles and precision hidden in the crevices. I pause with certainty and authenticity running parallel with my darkness. I pause with the picture torn and shredded.
I have a lethal license in zigzagging and swiveling. I shelter my obscure secrets. I have stashed away my troubles, difficulties and mistakes. I suppress my clouds and fog. I tucked away my accidents and splotchy incidents. I locked up my realness and credibility due to the storm of fears. The pleasure maker in me is drenched from loneliness is too afraid to remove the mask.
I was born with a second hand smile from the sunset. I walk with a tiny wheel in my pocket that won’t roll and converse with a novocaine tongue. I have a brother that uses me as a punchline in off color jokes and a sister with suspicion waltzing in her eyes. I have a mother who was buried at the Brookside cemetery under a choked up moon. I count my blessings rather than my drops of misery. Every now and then she looks at me says “It’s been a while since I’ve seen your second hand smile.”
I’ve tried to turn off the waterfall and dive into the river of flames. I’ve tired to stare into my silent villains and face my inward wars. I’ve tried to run from the screams but I am still in this seared skin. It feels like I’m never going to win.
I was born with a tattoo of a tear on my left cheek. I fumble through the streets with my blood not moving a centimeter. I have a snapshot of my apprehension and a voice that no know wants to hear. I have a mother that appreciated the words I tucked away from the heartless universe. Every now and then she looks at me says “It’s been a while since I’ve seen your second hand smile.”
I’ve tried to shrug off the heartache and walk away from senseless battles. I’ve tried to keep my swollen chin up and to listen to the fireflies in the pitch black. I can keep running in this burnt skin. It feels like I’m never going to win.
I was born with doubt flickering like a light on the inside. I stumble throughout the darkness gripping on to the glow. I have fluttering secrets and camouflaged my excuses to try to erase away the damage. I have a mother who wore a grin throughout her scowling hours. She defied being defeated nor broken down. Every now and then she looks at me says “It’s been a while since I’ve seen your second hand smile.”
I’ve tried to lose my biographical sighs and replace my intuition with logic. I’ve tried to step into my perspective and turn my head to see another view. But all I can feel is you. I have no where to begin. I’ve learned to accept that I just won’t win.
I found the most reckless line in your diary. “I know you can’t remember, all I can feel are the tears of September.” l was mesmerized by the details of the most piercing moments until I realized I was the subject. I was perplexed and the inner light began to fade. I found a line that shredded my heart into pieces.”You are the avalanche I could not see, you won’t be awake when I leave.” I glanced through the suffering and the realization is settling that you see me as a self absorbed monster.
You drank lukewarm coffee with a ballad crying in your head, rearranging the lyrics, forgetting all the things I said. You replaced conversation with an awkward silence and grand expectations. Perhaps you and I sat on quicksand, never making a solid foundation. You wanted me to crawl inside your mind, sit indian style, and look for your missing smile. You never mentioned, you craved endless attention and you didn’t get what you deserved. If I didn’t love you, can you tell me why I’m so hurt.
I found your latest entry in your book of fiction. “I know you forgot about my horrendous childhood, feeling lost and misunderstood.” I was fascinated with your chilling imagination with minutia painted with your fingertips. I was bewildered and the answers began to become in focus. I found a line that cracked the outer shell of my soul. “You are the villain in this horrific tale, because of you I have failed.” I am done tasting this bitter and water down concoction.
You drank lukewarm coffee with complaints, criticism, and tirades surrounding your silent skeleton. You are the playwright, weeping dramatist, and the author of colorful exaggerations. You are the puzzle, desiring me to put you together, believing in the everlasting, wishing for forever. You are numb from the waist down, with your feet barely touching the ground. You blame me for that earth shattering tragedy. I will love you until the end of time despite the fact you are no longer in love with me.
I’ve been walking through an electric calm with a crucifix woven into my chest. I can barely breathe but can feel tranquility gripping to my veins. I can exhale all my errors while my shadows can caress my fears. I’m gasping for my curse to vanish. I’m suffering with a small taste of compassion.
I can hear the angels crooning in my equilibrium. “I’m done am crawling, falling, and stalling because I’m ready to run. I have a light that’s more brilliant than the sun. I am done trying, dying, and crying from the destruction of my past. I am a born again miracle, white glaring spherical, with clarity sparkling in my photographs.”
I’ve been stumbling through an electric calm with vibrations whispering on my tongue. I can barely speak but feel drops of grief sliding down my throat. I can inhale all the suffering while my spine carries my turmoil. I’m letting go of the affliction. I’m dreaming for you to forgive me.
I can hear the monsters growling in my blizzard of indecisions. “I’m digging you a grave, your hesitancy and damnation will become your slaves. I’m the chain on your lilac bones, watching your heart turn into stone. I will watch you choke and convulse with a grin, I will be your unblemished sin. You will continue to swallow your glass of emptiness and feel reckless.”
That’s the way the addiction grumbles That’s the way the drunk stumbles That’s the way the moon serenades That’s the way the elephants walk in the parade That’s the way the politicians talk That’s the way the predators gawk
That’s the way the innocent dream That’s the way the raped scream That’s the way the fears surrender That’s the way the cold remembers That’s the way the lost are found That’s the way the veterans weep to the sounds
That’s the way the truth should be told That’s the way the lies are bitten and sold That’s the way the victim cries That’s the way the quiet feel inside That’s the way the impregnator stares That’s the way the son of a bitch cares
That’s the way the glass is poured That’s the way the children are ignored That’s the way the perception is skewed That’s the way the label is crude That’s the way the society thinks That’s the way the one percent drink
That’s the way the air becomes stale That’s the way the skin becomes pale That’s the way the poets write That’s the way the day turns into night That’s the way the heart breaks into bits That’s the way the last puzzle piece fits
That’s the way the thunder growls That’s the way the thieves prowl That’s the way the light disappear That’s the way the dark becomes crystal clear That’s the way the luck falls That’s the way the anger crawls
That’s the way the perpetrators finger points That’s the way the hippies smoke a joint That’s the way the teacher dresses That’s the way the students make messes That’s the way the winners gloat That’s the way the captain steers the boats
That’s the way the rich treat the poor That’s the way the small companies closes its doors That’s the way the snake rattles That’s the way the beast fights in battle That’s the way the cookie crumbles That’s the way the insider fumbles
That’s the way the performers act That’s the way the sky becomes black That’s the way the song is heard That’s the way the villains see the words That’s the way the view turns into stone That’s the way the virtuous become alone
That’s the way the branch breaks That’s the way the dealers make mistakes That’s the way the world divides That’s the way the humans collide That’s the way the people see That’s the way the universe will be
She use to be my enraptured muse A mystical raindrop that drenched my entirety guided by purity, kindness and authenticity unveiling the sentiments in navy ink written in the coveted firethorn notebook
In the afterglow she disappeared Stillness was the enemy
She use to be the prayer between both hands A snowflake cleansing my weary tongue navigated by a sweet hummingbird whistling displaying the verses with a keen eye penned in a diary surrounded by flames
In the afterglow she vanished tranquility was the rival
She use to be my northward carnival A buzzing gypsy crooning in my orchestra maneuvered by truth, sympathy and light revealing the lines with unseen impressions authored in a journal of mysterious flare
In the afterglow she escaped serenity was her shadow boxer
Storm of Ink 